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Law and Technology in the Pacific Community Westview Pr (Short Disc)? Philip S. C. Lewis? WestviewPr(ShortDisc)? PhilipS.C.Lewis? ジャンル別? Substores-UnknownASINs-21? Subjects-Business&Investing-Industries&Professions-Accounting-Taxes-TaxLaw? Subjects-Business&Investing-Reference-BusinessLaw? Subjects-Law-PracticalGuides-Business? Subjects-Law-Business-Taxation? Subjects-Law-Specialties-Military? Subjects-Law-PerspectivesonLaw-Jurisprudence? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Law-General? Subjects-Nonfiction-Law-PracticalGuides-Business? Subjects-Nonfiction-Law-Business-Taxation? Subjects-Nonfiction-Law-Specialties-Military? Subjects-Nonfiction-Law-PerspectivesonLaw-Jurisprudence? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Law-Specialties-Military? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting-Taxes-TaxLaw? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Innovations? Broken Promises Agrarian Reform and the Latin American Campesino Westview Pr (Short Disc)? William C. Thiesenhusen? WestviewPr(ShortDisc)? WilliamC.Thiesenhusen? ジャンル別? Substores-UnknownASINs-21? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Nonfiction-SocialSciences-Sociology-Rural? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences? Gendered Fields Rural Women, Agriculture, and Environment (Rural Studies Series of the Rural Sociological Society) Westview Pr (Short Disc)? Carolyn E. Sachs? WestviewPr(ShortDisc)? CarolynE.Sachs? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Marriage&Family? Subjects-Nonfiction-SocialSciences-Sociology-Rural? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Sociology-Women? Subjects-Nonfiction-Women sStudies-FeministTheory? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference The Politics of Space A History of U.S.-Soviet/Russian Competition and Cooperation in Space Westview Pr (Short Disc)? Matthew J. Von Bencke? WestviewPr(ShortDisc)? MatthewJ.VonBencke? ジャンル別? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering? Subjects-History-Asia-Russia? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalHistory? Subjects-Professional&Technical-Engineering? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Cooperation, Technology, and Japanese Development Indigenous Knowledge, the Power of Networks, and the State (Transitions Asia Asian America) Westview Pr (Short Disc)? Donna L. Doane? WestviewPr(ShortDisc)? DonnaL.Doane? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Industries&Professions-High-Tech? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Computers&Internet-Business&Culture-ComputerIndustry? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Science-General Subjects-Science-Technology-General&Reference Introduction to Ultrahigh Energy Cosmic Ray Physics (Frontiers in Physics) Westview Pr (Short Disc)? Pierre Sokolosky? WestviewPr(ShortDisc)? PierreSokolosky? ジャンル別? Substores-UnknownASINs-63? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Macro Policies for Appropriate Technology in Developing Countries (Westview Special Studies in Social, Political, and Economic Development) Westview Pr (Short Disc)? Frances Stewart? WestviewPr(ShortDisc)? FrancesStewart? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Corporate Management of Health and Safety Hazards A Comparison of Current Practice (Westview Special Studies in Science, Technology, and Public Policy) Westview Pr (Short Disc)? Roger E. Kasperson? WestviewPr(ShortDisc)? RogerE.Kasperson? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-HumanResources&PersonnelManagement? Subjects-Business&Investing-Management&Leadership? Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Technology Choice A Critique of the Appropriate Technology Movement Westview Pr (Short Disc)? Kelvin W. Willoughby? WestviewPr(ShortDisc)? KelvinW.Willoughby? ジャンル別? Substores-UnknownASINs-21? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Capacity-Building in Science and Technology in the Third World Problems, Issues, and Strategies Westview Pr (Short Disc)? Shahid M. Shahidullah? WestviewPr(ShortDisc)? ShahidM.Shahidullah? ジャンル別? Substores-UnknownASINs-21? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Informal Credit Markets and the New Institutional Economics The Case of Philippine Agriculture Westview Pr (Short Disc)? Sagrario L. Floro? Pan A. Yotopoulos? WestviewPr(ShortDisc)? SagrarioL.Floro? PanA.Yotopoulos? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-PublicFinance? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-Finance-Finance&Investing? Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-PublicFinance? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Finance-General? Subjects-Professional&Technical-Accounting&Finance-Finance-Finance&Investing? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-PublicFinance? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? After the Revolutions East-West Trade and Technology Transfer in the 1990s Westview Pr (Short Disc)? Gary K. Bertsch? Heinrich Vogel? Jan Zielonka? WestviewPr(ShortDisc)? GaryK.Bertsch? HeinrichVogel? JanZielonka? ジャンル別? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnologyTransfer? Research and Technology in the Former German Democratic Republic Westview Pr (Short Disc)? Raymond Bentley? WestviewPr(ShortDisc)? RaymondBentley? ジャンル別? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Manufacturing Against the Odds Small-Scale Producers in an Andean City (Conflict and Social Change Series) Westview Pr (Short Disc)? Hans C. Buechler? Judith-Maria Buechler? WestviewPr(ShortDisc)? HansC.Buechler? Judith-MariaBuechler? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference In Default Peasants, the Debt Crisis, and the Agricultural Challenge in Mexico (Latin American Perspectives Series) Westview Pr (Short Disc)? Marilyn Gates? WestviewPr(ShortDisc)? MarilynGates? ジャンル別? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? Sacred Cows and Hot Potatoes Agrarian Myths in Agricultural Policy Westview Pr (Short Disc)? William P. Browne? Jerry R. Skees? WestviewPr(ShortDisc)? WilliamP.Browne? JerryR.Skees? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences? Size, Structure, and the Changing Face of American Agriculture Westview Pr (Short Disc)? Arne Hallam? WestviewPr(ShortDisc)? ArneHallam? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-General? New Technology at the Outset Social Forces in the Shaping of Technological Innovations Westview Pr (Short Disc)? Meinolf Dierkes? Ute Hoffmann? WestviewPr(ShortDisc)? MeinolfDierkes? UteHoffmann? ジャンル別? Substores-UnknownASINs-21? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Innovations? Subjects-Science-Technology-Technology&Society? Japanese and American Agriculture Tradition and Progress in Conflict Westview Pr (Short Disc)? Luther Tweeten? Cynthia L. Dishon? Wen S. Chern? WestviewPr(ShortDisc)? LutherTweeten? CynthiaL.Dishon? WenS.Chern? ジャンル別? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? Deep Disagreement in U.S. Agriculture Making Sense of Policy Conflict Westview Pr (Short Disc)? Christopher Hamlin? Philip T. Shepard? WestviewPr(ShortDisc)? ChristopherHamlin? PhilipT.Shepard? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences? Civil-Military Relations in the Soviet and Yugoslav Successor States Westview Pr (Short Disc)? Constantine P. Danopoulos? Daniel G. Zirker? WestviewPr(ShortDisc)? ConstantineP.Danopoulos? DanielG.Zirker? ジャンル別? Substores-UnknownASINs-21? Subjects-History-Asia-Russia? Subjects-History-Europe-Macedonia? Subjects-History-Europe-Slovenia? Subjects-History-Europe-Yugoslavia? Subjects-History-Military-Weapons&Warfare? Subjects-History-MilitaryScience? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Subjects-Nonfiction-Government-Constitutions? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Talking About Leaving Why Undergraduates Leave the Sciences Westview Pr (Short Disc)? Elaine Seymour? Nancy M. Hewitt? WestviewPr(ShortDisc)? ElaineSeymour? NancyM.Hewitt? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-EducationTheory-Research? Subjects-Professional&Technical-Education-ByLevel-College? Subjects-Professional&Technical-Education-Theory-Research? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Valuing Food Safety and Nutrition Westview Pr (Short Disc)? Julie A. Caswell? WestviewPr(ShortDisc)? JulieA.Caswell? ジャンル別? Substores-UnknownASINs-21? Subjects-Business&Investing-Economics-Macroeconomics? Subjects-Business&Investing-Economics-Microeconomics? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Cooking,Food&Wine-ProfessionalCooking-Professional? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-Macroeconomics? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-Macroeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-Microeconomics? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Nutrition? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-FoodSanitation? Subjects-Science-Technology-General&Reference Watch It The Risks and Promises of Information Technologies for Education Westview Pr (Short Disc)? Nicholas C. Burbules? Thomas A. Callister? WestviewPr(ShortDisc)? NicholasC.Burbules? ThomasA.Callister? ジャンル別? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Watch It The Risks and Promises of Information Technologies for Education Westview Pr (Short Disc)? Nicholas C. Burbules? Thomas A. Callister? WestviewPr(ShortDisc)? NicholasC.Burbules? ThomasA.Callister? ジャンル別? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Owning Scientific and Technical Information Value and Ethical Issues Rutgers Univ Pr? Vivian Weil? John W. Snapper? RutgersUnivPr? VivianWeil? JohnW.Snapper? ジャンル別? Subjects-Law-IntellectualProperty-General? Subjects-Law-One-L-CivilProcedure? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Nonfiction-Law-One-L-CivilProcedure? Subjects-Professional&Technical-Law-One-L-CivilProcedure? Subjects-Science-General Subjects-Science-Technology-General&Reference Science and Technology in History An Approach to Industrial Development Rutgers Univ Pr? Ian Inkster? RutgersUnivPr? IanInkster? ジャンル別? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Science, Technology, and Society New Directions Rutgers Univ Pr? Andrew Webster? RutgersUnivPr? AndrewWebster? ジャンル別? Subjects-Nonfiction-SocialSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Mothers and Daughters of Invention Notes for a Revised History of Technology Rutgers Univ Pr? Autumn Stanley? RutgersUnivPr? AutumnStanley? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-GenderStudies-WomeninHistory? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Body Electric An Anatomy of the New Bionic Senses Rutgers Univ Pr? James Geary? RutgersUnivPr? JamesGeary? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineVision? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Mechanical-Robotics? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-InternalMedicine-Neurology-Neuroscience? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Neurology-Neuroscience? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-InternalMedicine-Neurology-Neuroscience? Science And Technology Policy in the United States Open Systems in Action Rutgers Univ Pr? Sylvia Kraemer? RutgersUnivPr? SylviaKraemer? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Science And Technology Policy in United States Open Systems in Action Rutgers Univ Pr? Sylvia Kraemer? RutgersUnivPr? SylviaKraemer? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Fourth Hutton Symposium, the Origin of Granites and Related Rocks Proceedings of a Symposium Held in Clermont-Ferrand, France 20-25 September, 1999 (Special Papers (Geological Society of America), 350.) Geological Society of Amer? France) Hutton Symposium on the Origin of Granites and Related Rocks (4th 1999 Clermont-Ferrand? Bernard Barbarin? W. E. Stephens? Bernard Bonin? Jean-Luc Bouchez? David B. Clarke? Michel Cuney? Herve Martin? GeologicalSocietyofAmer? France)HuttonSymposiumontheOriginofGranitesandRelatedRocks(4th 1999 Clermont-Ferrand? BernardBarbarin? W.E.Stephens? BernardBonin? Jean-LucBouchez? DavidB.Clarke? MichelCuney? HerveMartin? ジャンル別? Subjects-Outdoors&Nature-NaturalResources-Rocks&Minerals? Subjects-Science-EarthSciences-Rocks&Minerals? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Tectonic Evolution of Northwestern Mexico and the Southwestern USA (Special Paper (Geological Society of America)) Geological Society of Amer? Scott E. Johnson? Scott R. Paterson? John M. Fletcher? Gary H. Girty? David L. Kimbrough? Arturo Martin-Barajas? GeologicalSocietyofAmer? ScottE.Johnson? ScottR.Paterson? JohnM.Fletcher? GaryH.Girty? DavidL.Kimbrough? ArturoMartin-Barajas? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Atanasoff Forgotten Father of the Computer Iowa State Pr? Clark R. Mollenhoff? IowaStatePr? ClarkR.Mollenhoff? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Computers&Internet-Business&Culture-Biographies? Subjects-Computers&Internet-ComputerScience-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Seed Science and Technology Laboratory Manual Iowa State Pr? M. B. McDonald? Lawrence O. Copeland? IowaStatePr? M.B.McDonald? LawrenceO.Copeland? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-CropScience? Substores-UnknownASINs-jp-unknown1? Agriculture and Modern Technology A Defense Iowa State Pr? Thomas R. Degregori? IowaStatePr? ThomasR.Degregori? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Subjects-Science-AgriculturalSciences-General? A History of Western Technology (History of Science and Technology Reprint Series) Iowa State Pr? Friedrich Klemm? IowaStatePr? FriedrichKlemm? ジャンル別? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Space Policy An Introduction Iowa State Pr? Nathan C. Goldman? IowaStatePr? NathanC.Goldman? ジャンル別? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering? Subjects-Law-General? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Engineering? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Making Perfect Landings in Light Airplanes Iowa State Pr? Ron Fowler? IowaStatePr? RonFowler? ジャンル別? Substores-UnknownASINs-21? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Butter Technology Blackwell Pub Professional? Robert L. Bradley? BlackwellPubProfessional? RobertL.Bradley? ジャンル別? Subjects-Cooking,Food&Wine-CookingbyIngredient-Cheese&Dairy? Subjects-Science-General Subjects-Science-Technology-General&Reference Duncan Prasse's Veterinary Laboratory Medicine Clinical Pathology Iowa State Pr? Kenneth S. Latimer? Edward A. Mahaffey? Keith W. Prasse? J. Robert Duncan? IowaStatePr? KennethS.Latimer? EdwardA.Mahaffey? KeithW.Prasse? J.RobertDuncan? ジャンル別? Subjects-Medicine-VeterinaryMedicine-General? Subjects-Medicine-VeterinaryMedicine-Pathology? Subjects-Professional&Technical-Medical-VeterinaryMedicine-General? Subjects-Professional&Technical-Medical-VeterinaryMedicine-Pathology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-AnimalHusbandry? Subjects-Science-Medicine-VeterinaryMedicine-General? Subjects-Science-Medicine-VeterinaryMedicine-Pathology? Soil Genesis and Classification Iowa State Pr? S. W. Buol? IowaStatePr? S.W.Buol? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Agronomy? Technological Innovation and the Decorative Arts Winterthur Museum? Winterthur Conference 1973 19th? Ian M. G. Quimby? Henry Francis Du Pont Winterthur Museum? Polly Anne Earl? WinterthurMuseum? WinterthurConference197319th? IanM.G.Quimby? HenryFrancisDuPontWinterthurMuseum? PollyAnneEarl? ジャンル別? Substores-UnknownASINs-21? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Science-Technology-General&Reference Henry's Attic Some Fascinating Gifts to Henry Ford and His Museum Wayne State Univ Pr? Ford R. Bryan? Sarah Evans? WayneStateUnivPr? FordR.Bryan? SarahEvans? ジャンル別? Subjects-Arts&Photography-Art-Museums&Collections-Museums-ExhibitionCatalogs? Subjects-History-Americas-UnitedStates-General? Subjects-History-Americas-UnitedStates-State&Local-Michigan? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technoleverage Using the Power of Technology to Outperform the Competition Amacom Books? F. Michael Hruby? AmacomBooks? F.MichaelHruby? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Marketing&Sales-Marketing-General? Subjects-Business&Investing-Reference-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? 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Zweiter Akt Im Garten des Palais des Hanna Glawari. Tag. Im Mittelpunkt ein nicht zu großer Pavillon. Originelle elektrische Glühkörper. Montenegrinische Embleme, Fahnen, Wappen, etc; rechts und links Gartentischchen mit Strohmöbeln. Beim Pavillon rechts und linkts ein Sessel. (Zeta, Njegus, beide in montenegrinischer Tracht, Cascada, in Uniform französischen Husarenoffiziers, St. Brioche, Uniform eines französischen Infanterieoffiziers, Bodganowitsch, Pritschitsch, Valencienne, alle diese in montenegrinischer Tracht. Damen und Herren, zum Teil, die Tänzer und Tänzerinen, in montenegrinischer Tracht, zum Teil in eleganter Sommertoilette mit Hütten; Guslaren in montenegrisnicher Tracht. Alle, mit Ausnahme der Guslaren, Tänzer und Tänzerinen, treten während der Polonaise zwanglos auf und plazieren sich.) Nr. 7 Introduktion, Tanz und Vilja-Lied ▼HANNA▲ Ich bitte, hier jetzt zu verweilen, wo allsogleich nach heimatlichem Brauch das Fest des Fürsten so begangen wird, als ob man in Letinje wär daheim. (Guslaren treten spielend auf, gleich darauf ihnen die montenegrinischen Tänzerinnen und Tänzer, die den Kolo tanzen.) ▼CHOR▲ Ah! Mi velimo dase dase veslimo, Heiaho! Mi velimo dase dase Heieho! Laßt uns jauchzen und laßt uns singen, hei! Laßt uns tanzenc und laßt uns springen, hei! Laßt uns tanzen und laßt uns springen! Mi velimo dase veslimo! Hei! ▼HANNA▲ Nun laßt uns aber, wie daheim, jetzt singen unsern Ringelreim von einer Fee, die - wie bekennt - daheim die Vilja wird genannt. Es lebt eine Vilja, eis Waldmägdelein, ein Jäger erschaut sie im Felsengestein! Dem Burschen, dem wurde so eigen zu Sinn, er schaute und schaut auf das Waldmägdlein hin. Und ein nie gekannter Schauer, faßt den jungen Jägersmann; sehnsuchtsvoll ling er still zu seufzen an! Vilja, oh Vilja, du Waldmägdelein, faß mich und laß mich dein Trautliebster sein. Vilja, oh Vilja, was tust du mir an? Bang fleht ein liebkranker Mann. ▼CHOR▲ Vilja, oh Vilja, du Waldmägdelein, faß mich und laß mich dein Trautliebster sein. ▼HANNA▲ Vilja, oh Vilja, was tust du mir an? Bang fleht ein lietbkranker Mann. Das Waldmägdelein streckte die Hand nach ihm aus, und zog ihn hinein in ihr felsiges Haus; dem Burschen die Sinne vergangen fest sind, so liebt und so küßt gar kein irdisches Kind. Als sie sich dann satt geküßt, verschwand sie zu derselben Frist! Einmal noch hat der Arme sie gegrüßt Vilja, oh Vilja, du Waldmägdelein, faß mich und laß mich dein Trautliebster sein. Vilja, oh Vilja, was tust du mir an? Bang fleht ein liebkranker Mann! ▼CHOR▲ Vilja, oh Vilja, du Waldmägdelein. faß mich und laß mich dein Trautliebster sein. ▼HANNA▲ Vilja, oh Vilja, was tust du mir an? Bang fleht ein liebkranker Mann! ▼CHOR▲ Im Liebesbann! Mi velimo dase dase veslimo, Mi velimo dase dase veslimo. Laßt uns jauchzen und laßt uns singen! Laßt uns tanzen und laßt uns springen! Mi velimo dase veslimo! Hei! (Die Tänzerinnen und Tänzer gehen mit den Guslaren tanzend ab. Die Gesellschaft folgt Zeta, Hanna und Njegus bleiben.) ▼ZETA▲ Gospodina, dieses vaterländische Fest könnte nicht vaterländischer sein! ▼HANNA▲ Danke, Exzellenz! Aber ich werde heute auch noch unverfälscht Pariserisches bieten. Nach dem Diner gibt s ein Grisetten-Cabaret! Eine spezielle Überraschung für den Grafen Danilo! ▼ZETA▲ Njegus! ▼NJEGUS▲ Exzellenz! ▼ZETA▲ Holen Sie sofort den Grafen herüber, Befehl vom Vaterland! ▼NJEGUS▲ Sehr wohl! ▼ZETA▲ Sie interessiert sich für den Grafen! Mein Plan wird gelingen! (Danilo tritt auf.) ▼DANILO▲ Ja, Exzellenz, da bin ich. ▼ZETA▲ (im Abgehen) Immer zu spät… ▼HANNA▲ O, Graf Danilo, ich versuche, Ihnen auf Schritt und Tritt zu folgen, und Sie weichen mir im Galopp aus. Warum? ▼DANILO▲ Das ist eine Kriegslist! Ich bin Kavallerist! ▼HANNA▲ Ach, ja, Sie sind ein Reitersmann und vollen nicht kapitulieren… Nr. 8 Duett ▼HANNA▲ Heia, Mädel, aufgeschaut, guck, die schmucken Reiter! Nimmt dich einer wohl zur Braut, oder sprengt er weiter? Heia, Mädel, laß ihn nicht, kann als Mann dir taugen! Guck ihm keck nur ins Gesicht, blitz mit deinen Augen! ▼DANILO▲ Mädel schaut und Mädel guckt, daß es ihm im Herzen zuckt. ▼HANNA▲ Mädel zeigt, trotzdem sie schweigt, daß sie sich in Lieb ihm neigt! Dummer, dummer Reitersmann, der mich nicht verstehen kann! Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! Hoplahop und hoplaho! Hoplahop und hoplaho! Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! Heia, Reiter kehrt zurück, hopp, sein Pferdchen tänzelt! Wie er jetzt mit seinem Blick, bittet und schermenzelt! Mädel kümmert sich nicht drum, hüptt und summt ein Tänzchen Reiter, du warst gar zu dumm, doch ich bin kein Gänschen! ▼DANILO▲ Reiter guckt und Reiter lacht, willst du nicht, dann gute Nacht! Mädel, Mädel meiner Wahl, ich komm nicht ein zweites Mal! ▼HANNA▲ Dummer, dummer Reitersmans, der mich nicht verstehnn kann! Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! ▼DANILO▲ Kluger, kluger Reiter, reitet, reitet weiter! Kluger, kluger Reitersmann! ▼HANNA, DANILO▲ Hoplahop und hoplaho! Hoplahop und hoplaho! ▼HANNA▲ Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! (Danilo geht salutierend ab. Hanna will ihm nach, bleibt dann aber stehen.) ▼HANNA▲ Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! (Hanna geht ab, und Danilo kommt zurück. Cascada und St. Brioche treten auf, danach Kromow und Pritschitsch, zum Schluß Zeta und Bodganovitch.) ▼ST. BRIOCHE▲ Wir werden uns noch schlagen um die Witwe! ▼CASCADA▲ Ich bin dazu bereit. ▼DANILO▲ Aber meine Herren, um Weiber sollte man sich nich streiten… ▼ZETA▲ Meine Herren! Kommen Sie - kommen Sie punkt acht Uhr in unseren Pavillon, da wollen wir uns beraten. ▼NJEGUS▲ Wie Euzellenz befehlen! Punkt acht Uhr loco. ▼ZETA▲ Graf! Grat Danilowitsch! Worüber wird hier eigentlich gestritten? ▼DANILO▲ Exzellenz? Wie man sich verhält, wenn einem die Frau untreu wird. ▼ZETA▲ Darüber brauche ich, Gott sei Dank, nicht nachzudenken. ▼DANILO, ST. BRIOCHE UND CASCADA▲ Gott sei Dank! Nr. 9 Marsch-Septett (Danilo, Zeta, St. Brioche, Cascada, Kromow, Bogdanowitsch, Pritschitsch) ▼DANILO▲ Wie de Weiber… ▼ALLE▲ Wie die Weiber? ▼DANILO▲ Man behandelt? ▼ALLE▲ Hürt ihn an! ▼DANILO▲ Eine so, die andre anders, da gibt s keinen Feldzugsplan! ▼ZETA▲ Daß die Weiber… ▼ALLE▲ Daß die Weiber? ▼ZETA▲ Treu uns bleiben - ▼ALLE▲ Also wie? ▼ZETA UND DANILO▲ Das hat man noch nicht ergründet! Da gibt s keine Theorie! ▼ALLE▲ Da gibt s keine Theorie! ▼DANILO▲ Der einen macht man Komplimente… ▼ALLE▲ So und so und so und so! ▼ZETA▲ Und schmeichelt, streichell ohne Ende… ▼ALLE▲ So und so und so und so! ▼ST. BRIOCHE▲ Der andern muß man imponieren… ▼ALLE▲ So und so und so und so! ▼CASCADA▲ Man darf sie auch sogar sekieren… ▼ALLE▲ So und so und so und so! ▼DANILO▲ Die dritte, die will Zärtlichkeiten… ▼ALLE▲ So und so und so und so! ▼ZETA▲ Die vierte, die will zanken, streiten… ▼ALLE▲ So und so und so und so! ▼CASCADA▲ Die füntte, will nur tanzen, lachen… ▼ALLE▲ So und so und so und so! ▼DANILO, ZETA, ST. BRIOCHE UND CASCADA▲ Dann wollen sie auch and re Sachen! ▼ALLE▲ So und so und so und so! ▼DANILO UND ZETA▲ Ja, das Studium der Weiber ist schwer… ▼ST. BRIOCHE, CASCADA, KROMOW, BOGDANOWITSCH, PRITSCHISCH▲ Ach die Weiber, diese Weiber! ▼DANILO UND ZETA▲ Nimmt uns Männer vetteufelt auch her! Niemals kennt doch an Seele und Leib man das Weib - ▼ALLE▲ Weib, Weib, Weib, Weib! ▼DANILO UND ZETA▲ Mädchen zart, Gretchenart, blondes Haar… ▼ST. BRIOCHE, CASCADA, KROMOW, BOGDANOWITSCH, PRITSCHISCH▲ Ach die Weiber, diese Weiber! ▼DANILO UND ZETA▲ Mit dem treuesten Blauängleinpaar, ob sie schwarz oder rot oder blond sind gefärbt, s ist egal, man wird doch gegerbt. ▼ALLE▲ Weiber, Weiber, Weiber, Weiber, ja! Weiber, Weiber, Weiber, Weiber, ach! Ja, das Studium der Weiber ist schwer, nimmt uns Männer verteufelt auch her! Niemals kennt doch an Seele und Leib man das Weib - Weib, Weib, Weib, Weib! Mädchen zart, Gretchenart, blondes Haar, mit dem treuesten Blauäugleinpaar! Ob sie schwarz oder rot oder blond sind gefärbt, s ist egal, man wird doch gegerbt. ▼DANILO UND ZETA▲ Ja, das Studium der Weiber ist schwer, nimmt uns Männer verteufelt auch her. Niemals kennt doch an Seele und Leib man das Weib, Weib. Weib, Weib, Weib! ▼DIE ANDEREN▲ Weiber, Weiber, Weiber, Weiber, Weiber! (Alle ausser Danilo ab . Hanna tritt auf.) ▼HANNA▲ Graf Danilo! - Mein tapferer Reitersmann! Wenn Sie mich auch nicht lieben… ▼DANILO▲ Das is total ausgeschlossen! ▼HANNA▲ …dann werden Sie mir ehrlich raten, ob ich jenen Menschen heiraten soll, den ich immer schon haben wollte! ▼DANILO▲ Haben wollte…? Heiraten Sie doch was, wie, wo und womit Sie wollen! ▼HANNA▲ Sie sind ja eifersüchtig! ▼DANILO▲ Jawohl! Aber nicht auf Sie, auf alle Frauen, die mit Männern so herumtändeln… ▼HANNA▲ Acha, ja? Nr. 10 Spielszene und Tanzduett (Danilo kämpft mit sich, will sie ansprechen, wendet sich aber ab und geht in Richtung Pavillon.) ▼HANNA▲ So, wie die Dinge sich entwickeln, werde ich doch einen Pariser heiraten. ▼DANILO▲ Armes Vaterland! ▼HANNA▲ Aber bevor ich wieder heirate, möchte ich wenigstens einmal das wahre Nachtleben in dieser Stadt kennenlernen. Wo amüsiert man sich besten? ▼DANILO▲ Amüsieren kann man sich auf dem Ball der pontevedrinischen Gesandtschaft! ▼HANNA▲ Mir steht der Sinn nach anderen Vergnügen! ▼DANILO▲ Mir auch, aber die heimatlichen Tänze haben auch ihren Reiz… Madame… Un kolo, la danse de notre patrie. Allez! (Sie tanzen den Kolo.) ▼HANNA▲ Ach!… Sehen Sie, jetzt würde ich zu meinem Mann sagen lieber Da… ▼DANILO▲ …nilo? ▼HANNA▲ Go…bert. ▼DANILO▲ Scheußlicher Name! ▼HANNA▲ Deswegen bin ich nicht in Paris. Führ mich woanders hin! ▼DANILO▲ Er führt sie zu Maxim, dort ist er sehr intim … Dort tanzen nur die entzückendsten, zweifelhaftesten, verruchtesten Mädchen. Und würden Sie in den Saal Sala de Baile entráis alguna dirá Ay, una nueva Griseta! La música se convierte en un dulce vals juguetón, con la que uno con su ritmo de tres por all seiner Tugend vergißt. (Sie tanzen.) ▼HANNA▲ Bei dieser Musik könnte man das letzte Viertel auch noch vergessen… Das ist sehr gefährlich… (Beide tanzen summend ab. Valencienne und Camille treten auf.) ▼VALENCIENNE▲ Nein, nein, nein! ▼CAMILLE▲ Geben Sie mir wenigstens ein Andenken, Valencienne! ▼VALENCIENNE▲ Meinen Fächer? Nur diesem Satz muß ich noch fertig schreiben! Ich bin eine anständige… Frau… ▼CAMILLE▲ Jetzt hab ich es auch noch schriflich! Nr. 11 Duett und Romanze ▼VALENCIENNE▲ Mein Freund, Vernunft! ▼CAMILLE▲ Wie Sie mich quälen! ▼VALENCIENNE▲ Ich will s! Sie müssen sich vermählen! Sie müssen heute noch mit Hanna sprechen! ▼CAMILLE▲ Nun gut, ich tu s… doch wird das Herz mir brechen! ▼VALENCIENNE▲ Oh glauben Sie, es fällt mir schwer, auf Ihre Liebe zu verzichten, doch muß ich mich, so will s die Ehr , streng nach der guten Sitte richten! ▼CAMILLE▲ Soll ich für immer dich verlieren? ▼VALENCIENNE▲ Sie wollen mich doch nicht kompromittieren? ▼CAMILLE▲ Das will ich nicht! Das darf ich nicht! ▼VALENCIENNE▲ (drückt seinen Kopf an ihre Wange) So ist es recht, so hab ich dich lieb. ▼CAMILLE▲ Ich muß dich küssen! ▼VALENCIENNE▲ (wehrt ihn ab) Sie machen mich böse! ▼CAMILLE▲ Vergib! Vergib, mein Lieb! Wie eine Rosenknospe im Maienlicht erblüht, so ist in meinem Herzen die Liebe aufgeglüht! Das war ein selig Keimen, von dem ich nichts geahnt, ein wundersames Träumen, das mich ans Glück gemahnt! Und nun das Glück gekommen, soll s wieder, wieder fort? Das Maienlicht verglommen? Die Knospe, sie verdorrt? Ein jauchzend, jubelnd Singen in meiner Seele schallt Es wird dich mir erringen der Liebe Allgewalt. ▼VALENCIENNE▲ (streckt dir Arme nach ihm aus) O Camille! ▼CAMILLE▲ Valencienne! (will sie umarmen) ▼VALENCIENNE▲ Nein, sachte, sacht! Du hast mich um den Verstand gebracht! ▼CAMILLE▲ Zum Abschied, du Süße, einen letzten Kuß! ▼VALENCIENNE▲ Doch nicht hier! ▼CAMILLE▲ Sieh dort den kleinen Pavillon, er kann höchst diskret, verschwiegen sein! Oh dieser kleine Pavillon plaudert nicht ein Wörtohen aus… oh nein! Dunkel uns umfängt! Nimm, was Liebe uns schenkt! Komm in den kleinen Pavillon, komm zum süßen Rendezvous, oh du! ▼VALENCIENNE▲ Ich seh schon… ich werd hineingehen müssen! ▼CAMILLE▲ Komm in den kleinen Pavillon, laß zum letztenmal dich küssen, ach! ▼VALENCIENNE▲ Ist er verschwiegen? Mir wird ganz schwach! ▼CAMILLE, VALENCIENNE▲ Dunkel uns umfängt! Nimm, was Liebe uns schenkt! Dort in dem dunklen Pavillon strahlt uns hell der süßen Liebe Lohn! (Wie sie in den Pavillon verschwinden, kommt Njegus,der ihnen nachschauf. Kurz darauf Zeta.) ▼NJEGUS▲ Ah, die Baronin und Herr Rosillon zusammen im Pavillon…! ▼ZETA▲ Njegus! ▼NJEGUS▲ O weh, der Herr Baron! (stellt sich wie schützend vor die Tür.) ▼ZETA▲ Nun, Njegus… es ist schon acht Uhr loco, und der Graf is wieder nicht da! Also, öffnen Sie den Pavillon und drehen Sie das elektrische Licht auf! ▼NJEGUS▲ Exzellenz - Exzellenz - mit Verlaub… ▼ZETA▲ Was ist los? ▼NJEGUS▲ Exzellenz! Es geht nicht. Es ist wer drinnen Rosillon mit einer Dame! ▼ZETA▲ Einer verheirateten? Jetzt haben wir sie! Der Pavillon hat rückwärts noch eine Tür, sperren Sie die sofort ab! ▼NJEGUS▲ Sehr wohl! (begibt sich hinter den Pavillon) Erst diese Dame herauslassen, dann eine una (Danilo tritt auf.) ▼DANILO▲ Excellenz, acht Uhr loco. ▼ZETA▲ Ach, lieber Graf! Die Dame Rosillons ist entdeckt! ▼DANILO▲ Entdeckt? Wer ist sie? ▼ZETA▲ Ich werde durchs Schlüsselloch sehen! ▼DANILO▲ Exzellenz, das ist nicht sehr fein! ▼ZETA▲ Aber praktisch! (Während Zeta durchs Schlüsselloch schaut, erscheint Njegus hinten am Pavillon. Er winkt nach rechts. Hanna kommt und flüstert mit ihm. Beide verschwinden hinter dem Pavillon.) ▼DANILO▲ Nun? ▼ZETA▲ Das ist ja! Nein! Doch! Meine Frau! (Valencienne tritt rückwärts aus dem Pavillon und schleicht mit Njegus davon.) Aufgemacht! Aufgemacht! ▼DANILO▲ Ha! Ha! ▼ZETA▲ Ha! Ha! ▼HANNA▲ Wir fragen, was man von uns will! ▼DANILO▲ Ha! Hanna und Camille! ▼ZETA▲ War ich denn blind? Ich seh genau… ▼DANILO▲ Ha! Hanna und Camille! Mein ganzer Geist steht still. Jetzt wird die Sache etwas flau! ▼ZETA▲ Wo ist denn meine Frau? (Valencienne kommt harmlos von links, hinter ihr Njegus.) ▼VALENCIENNE▲ Du wünschest? ▼ZETA▲ Ich bin stumm und starr! ▼VALENCIENNE▲ Was ist gescheh n? So sprich doch klar! ▼DANILO▲ Ha! Hanna und Camille! ▼CAMILLE▲ (zu Danilo) So sei doch endlich still! ▼ZETA▲ Ich sah dort eine Dame kurz zuvor. Ich guckte schnell durchs Schlüsselloch… ▼HANNA▲ Das war gerade nicht sehr fein! ▼DANILO▲ Aber praktisch doch! ▼ZETA▲ Ich hört und traute meinen Ohren nicht… (zu Camille) Wie dieser Herr da ihr Liebe schwor! ▼HANNA▲ Die Dame, die war ich! ▼DANILO▲ (zu Hanna) Ha! Hanna! ▼ZETA▲ Ich hätt geschworen es wär meine Frau! ▼HANNA▲ Mein lieber Camille, gesteh n Sie s nur ein! ▼VALENCIENNE▲ Oh, dies zu hören, ist Rettung und Pein! ▼CAMILLE▲ Ach, dies zu sagen ist Rettung und Pein! ▼DANILO▲ Mich packt die Eifersucht, fast könnte ich schrei n! ▼ZETA▲ Ich kann s nicht glauben, oh nein, oh nein! ▼NJEGUS▲ Das arrangierte ich… ganz schlau und ganz fein! ▼HANNA▲ Und war der Baron so indiskret, zu lauschen und spähen beim Schlüsselloch, (zu Camille) so sagen Sie hier, was drinnen Sie mir gestanden, ich bitte, so sagen Sie s doch! (Valencienne erschrickt, blickt eifersüchtig auf Camille. Hanna wechselt einen Blick mit Valencienne, die auf sie zukommt, und spricht mit ihr.Valencienne lächtelt verstehend.) ▼CAMILLE▲ Ich… soll es sagen? ▼DANILO▲ (für sich) Und ich soll s ertragen? ▼CAMILLE▲ (zu Zeta) Nun, Exzellenz, da ich… nicht anders kann - was ich drin sagte - so hören Sie s an ▼ZETA▲ Jetzt bin ich doch neugierig, was er mir sagen wird. ▼CAMILLE▲ Wie eine Rosenknospe im Maienlicht erblüht, so ist in meinem Herzen die Liebe aufgeglüht! Das war ein selig Keimen, von dem ich nichts geahnt, ein wundersames Träumen, das mich… ans Glück gemahnt! Und nun das Glück gekommen, soll s wieder, wieder fort? Das Maienlicht verglommen? Die Knospe, sie verdorrt? Ein jauchzend, jubelnd Singen in meiner Seele schallt Es wird dich mir erringen der Liebe Allgewalt. ▼HANNA▲ Er glaubt ihm wirklich… Wort für Wort. Und sein Verdacht, er ist schon fort! Ah, lieber Graf, und du bleibst ganz kalt? Was wetten wir, du redest bald! ▼VALENCIENNE▲ Ich… fasse nicht ein einzig Wort! Ja, will er wirklich… von mir fort? Sein Liebeslied ist kaum noch verhallt, Er singt s vor ihr, wo mir allein dies Lied doch galt! Ist sie dahin so rasch, der Liebe Allgewalt? ▼DANILO▲ Ich… höre wie verschwommen, fasse auch nicht ein Wort! Sie hat sich schön benommen! Mir ist s nicht vergönnt, sie zu erringen! Doch mich läßt s nicht kalt! Will mich… zur Ruhe zwingen, ich gehe, und das bald! ▼ZETA▲ Der Wahn ist mir nun ganz benommen. Zu ihr ist er gewiß gekommen, ich glaub ihm Wort für Wort, s war meine Frau nicht dort! Wenn s meine Frau so triebe, macht ich ein Ende bald! Bei solchen Dingen bleib ein andrer kalt! (Die Gesellschaft tritt im Hintergrund auf.) ▼HANNA▲ Nun wissen Sie, meine Herrschaften, was sich im dunklen Pavillon zugetragen hat. Es gibt kein Zurück! (sieht Danilo verstohlen an) Jetzt kommt der Haupttrumpf! (zur Gesellschaft) Den Herrschaften hab ich was zu erzählen… ▼CHOR▲ Nun was? Nun was? ▼HANNA▲ (sieht Danilo durchbohrend an) Daß als Verlobte sich empfehlen Herr Rosillon. ▼CAMILLE▲ Was? Ich? ▼VALENCIENNE▲ O Gott! ▼DANILO▲ Ach, schön! ▼ZETA▲ Wie? Was? ▼HANNA▲ Und meine Wenigkeit! ▼CHOR▲ Ah, welche Neuigkeit! ▼VALENCIENNE▲ Bin starr! ▼CAMILLE▲ Bin starr! ▼DANILO▲ Bin starr! ▼ZETA▲ Bin starr! ▼HANNA▲ (auf Danilo blickend) Die Wirkung ist ganz wunderbar! ▼CHOR▲ Wir gratulieren! (Alle treten ein bißchen zurúck und scheinen die Verlobung besprechen.) ▼DANILO▲ Oh, ihr verfluchten Millionen! ▼ZETA▲ Oh, ihr verlor nen Millionen! ▼CAMILLE▲ (leise zu Hanna) Das geht doch nicht! Da muß ich protestier n! ▼HANNA▲ (leise zu Camille) Dann werden Sie die Baronin blamieren! ▼ZETA▲ (zu Hanna) Sie wollen wirklich? ▼VALENCIENNE▲ (zu Camille) Wirklich…, wollen Sie? ▼HANNA▲ Warum denn nicht? ▼ZETA▲ Ich bin dagegen, und der Graf… ▼HANNA▲ (zu Danilo) Sie euch? ▼DANILO▲ Oh nein! Warum soll ich… dagegen sein? Ich… gebe Ihnen meinen Segen! Ich meine nur… ▼HANNA▲ Was meinen Sie? ▼DANILO▲ Verlieb dich oft, verlob dich selten, heirate nie! Die Ehe ist für mich… privat, ich rede nur als Diplomat, wahrhaftig nur ein Standpunkt, der längst überwunden. Ein Zweibund sollte stets sie sein, doch bald stellt sich ein Dreibund ein, der zählt oft bloß nach schwachen Stunden! Vom europäischen Gleichgewicht, wenn einer sich verehelicht, von dem ist bald nichts mehr zu spüren. Der Grund liegt meistens nur darin Es gibt Madam zu sehr sich… hin, der Politik der offnen Türen! ▼HANNA▲ Das ist doch unverschämt! ▼DANILO▲ Jawohl, ich schiId re nicht zu stark, s ist etwas faul im Staate Dänemark! (Hanna eilt nach hinten und kommt während der folgenden Einleitung cancanierend mach vorn.) ▼HANNA▲ Ein flotter Ehestend soll s sein ganz nach… Pariser Art! Er sagt "Madame", ich sag "Monsieur"! Ganz nach Pariser Art! Wir lieben uns, wie sich s versteht, ganz nach Pariser Art! Wo jeder seine Wege geht Ganz nach Pariser Art! Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! Und sollt die Ehe anders sein, denn spring ich nicht hi… ,nein, oh nein, oh nein, nein, nein, nein. (Sie travesiert cancanierend mit Valencienne und wieder zurück. Die anderen fallen in den Tanz ein.) ▼SYLVANE, OLGA, PRASKOWIA, CAMILLE, ZETA, BODGANOWITSCH, KROMOW, PRITSCHITSCH, DAMEN UND HERREN▲ Des hat Rrrrasss so tral-la-la-la-la! Macht ihr Spaß so, tral-la-la-la-la! Und sollt die Ehe anders sein, denn springt sie nicht hinein! oh nein, oh… nein, ▼HANNA UND VALENCIENNE▲ La, la la, la! Nein. Dann spring ich/springt sie nicht hinein! Nein! ▼VALENCIENNE▲ Ja, dieser Ehestend wird flott! ▼HANNA▲ Ganz nach… Pariser Art! ▼VALENCIENNE▲ (mit Blick auf Camille) Der Mann zieht hü, die Frau zieht hoff! ▼HANNA▲ Ganz nach Pariser Art! ▼VALENCIENNE▲ Und keiner macht sich was daraus! ▼HANNA▲ Ganz nach Pariser Art! ▼VALENCIENNE▲ (zu Hanna) Sie seh n ganz scheidüngsfähig aus! ▼HANNA▲ Ganz nach Pariser Art! Valencienne und Hanna Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! ▼SYLVANE, OLGA, PRASKOWIA, CAMILLE, ZETA, BODGANOWITSCH, KROMOW, PRITSCHITSCH, DAMEN UND HERREN▲ Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! (Alle, außer Danilo, tanzen.) ▼DANILO▲ (für sich) In mir tobt es, in mir bebt es! In mir zuckt es, in mir juckt es! Halt s nicht aus! Es muß heraus! (Man hört auf zu tanzen.) Aber nicht so wutentbrannt! Aber nicht so wutentbrannt! Ruhig, ruhig mit Verstand! (zu Hanna) Zu der Vermählung, schöne Frau, gestatten Sie eine Erzählung. (Valencienne geht zu Camille. Alle ziehen sich ganz zurück, so daß Hanna und Danilo total exponiert sind.) ▼HANNA▲ Gewiß, des ist ja interessant! Seh n Sie mich… an, ich bin schon sehr gespannt! Also bitte! ▼DANILO▲ Also bitte! Es waren zwei Königskinder… ich glaube, sie hatten sich lieb. Sie konnten zusammen nicht kommen, wie dies einst ein Dichter beschrieb! Der Prinz, der blieb aber verschlossen, er hatte dafür seinen Grund. Das hat die Prinzessin verdrossen, warum er nicht auftat den Mund. Da hat nun die Dame Prinzessin getrieben ein grausames Spiel, sie gab ihre Hand einem and ren. und das war dem Prinzen zu viel. Du gnädige Dame Prinzessin, du tatest daran gar nicht recht, du bist auch nicht besser wie andere, vom schwachen, koketten Geschlecht! Doch glaubst du, dass ich mich drob kränke? Haha! Da täuschest du dich…! Im Traume ich nicht daran denke! - Das sagte der Prinz, und nicht ich! - Und weiter da sagte der Prinz noch (deutet auf Camille) Da nimm ihn, der sei dir vergönnt! Drauf ist er von dannen gegangen - und das tu ich auch…, Kompliment! (will ab) ▼HANNA▲ Wohin denn, Graf, wohin? ▼DANILO▲ Wohin ich…? Dort, wo ich… zu Hause bin! (mit beissender Ironie) Jetzt geh ich zu Maxim, dort bin ich sehr intim, ich duze alle Damen, ruf sie beim Kosenamen Lolo, Dodo, Jou-jou, Clo-clo, Margot, Frou-frou, sie lassen mich vergessen, was ich so bang empfand! (ab) ▼HANNA▲ Allein liebt er mich…, nur allein! Jetzt geht er in die Falle und… Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! usw. ▼HANNA UND VALENCIENNE▲ (tanzend) La, la la, la, la! ▼SYLVANE, OLGA, PRASKOWIA, CAMILLE, ZETA, BOGDANOWITSCH, KROMOW, PRITSCHITSCH, DAMEN UND HERREN▲ (tanzend) Das hat Rrrrasss, usw. Zweiter Akt Im Garten des Palais des Hanna Glawari. Tag. Im Mittelpunkt ein nicht zu großer Pavillon. Originelle elektrische Glühkörper. Montenegrinische Embleme, Fahnen, Wappen, etc; rechts und links Gartentischchen mit Strohmöbeln. Beim Pavillon rechts und linkts ein Sessel. (Zeta, Njegus, beide in montenegrinischer Tracht, Cascada, in Uniform französischen Husarenoffiziers, St. Brioche, Uniform eines französischen Infanterieoffiziers, Bodganowitsch, Pritschitsch, Valencienne, alle diese in montenegrinischer Tracht. Damen und Herren, zum Teil, die Tänzer und Tänzerinen, in montenegrinischer Tracht, zum Teil in eleganter Sommertoilette mit Hütten; Guslaren in montenegrisnicher Tracht. Alle, mit Ausnahme der Guslaren, Tänzer und Tänzerinen, treten während der Polonaise zwanglos auf und plazieren sich.) Nr. 7 Introduktion, Tanz und Vilja-Lied HANNA Ich bitte, hier jetzt zu verweilen, wo allsogleich nach heimatlichem Brauch das Fest des Fürsten so begangen wird, als ob man in Letinje wär daheim. (Guslaren treten spielend auf, gleich darauf ihnen die montenegrinischen Tänzerinnen und Tänzer, die den Kolo tanzen.) CHOR Ah! Mi velimo dase dase veslimo, Heiaho! Mi velimo dase dase Heieho! Laßt uns jauchzen und laßt uns singen, hei! Laßt uns tanzenc und laßt uns springen, hei! Laßt uns tanzen und laßt uns springen! Mi velimo dase veslimo! Hei! HANNA Nun laßt uns aber, wie daheim, jetzt singen unsern Ringelreim von einer Fee, die - wie bekennt - daheim die Vilja wird genannt. Es lebt eine Vilja, eis Waldmägdelein, ein Jäger erschaut sie im Felsengestein! Dem Burschen, dem wurde so eigen zu Sinn, er schaute und schaut auf das Waldmägdlein hin. Und ein nie gekannter Schauer, faßt den jungen Jägersmann; sehnsuchtsvoll ling er still zu seufzen an! Vilja, oh Vilja, du Waldmägdelein, faß mich und laß mich dein Trautliebster sein. Vilja, oh Vilja, was tust du mir an? Bang fleht ein liebkranker Mann. CHOR Vilja, oh Vilja, du Waldmägdelein, faß mich und laß mich dein Trautliebster sein. HANNA Vilja, oh Vilja, was tust du mir an? Bang fleht ein lietbkranker Mann. Das Waldmägdelein streckte die Hand nach ihm aus, und zog ihn hinein in ihr felsiges Haus; dem Burschen die Sinne vergangen fest sind, so liebt und so küßt gar kein irdisches Kind. Als sie sich dann satt geküßt, verschwand sie zu derselben Frist! Einmal noch hat der Arme sie gegrüßt Vilja, oh Vilja, du Waldmägdelein, faß mich und laß mich dein Trautliebster sein. Vilja, oh Vilja, was tust du mir an? Bang fleht ein liebkranker Mann! CHOR Vilja, oh Vilja, du Waldmägdelein. faß mich und laß mich dein Trautliebster sein. HANNA Vilja, oh Vilja, was tust du mir an? Bang fleht ein liebkranker Mann! CHOR Im Liebesbann! Mi velimo dase dase veslimo, Mi velimo dase dase veslimo. Laßt uns jauchzen und laßt uns singen! Laßt uns tanzen und laßt uns springen! Mi velimo dase veslimo! Hei! (Die Tänzerinnen und Tänzer gehen mit den Guslaren tanzend ab. Die Gesellschaft folgt Zeta, Hanna und Njegus bleiben.) ZETA Gospodina, dieses vaterländische Fest könnte nicht vaterländischer sein! HANNA Danke, Exzellenz! Aber ich werde heute auch noch unverfälscht Pariserisches bieten. Nach dem Diner gibt s ein Grisetten-Cabaret! Eine spezielle Überraschung für den Grafen Danilo! ZETA Njegus! NJEGUS Exzellenz! ZETA Holen Sie sofort den Grafen herüber, Befehl vom Vaterland! NJEGUS Sehr wohl! ZETA Sie interessiert sich für den Grafen! Mein Plan wird gelingen! (Danilo tritt auf.) DANILO Ja, Exzellenz, da bin ich. ZETA (im Abgehen) Immer zu spät… HANNA O, Graf Danilo, ich versuche, Ihnen auf Schritt und Tritt zu folgen, und Sie weichen mir im Galopp aus. Warum? DANILO Das ist eine Kriegslist! Ich bin Kavallerist! HANNA Ach, ja, Sie sind ein Reitersmann und vollen nicht kapitulieren… Nr. 8 Duett HANNA Heia, Mädel, aufgeschaut, guck, die schmucken Reiter! Nimmt dich einer wohl zur Braut, oder sprengt er weiter? Heia, Mädel, laß ihn nicht, kann als Mann dir taugen! Guck ihm keck nur ins Gesicht, blitz mit deinen Augen! DANILO Mädel schaut und Mädel guckt, daß es ihm im Herzen zuckt. HANNA Mädel zeigt, trotzdem sie schweigt, daß sie sich in Lieb ihm neigt! Dummer, dummer Reitersmann, der mich nicht verstehen kann! Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! Hoplahop und hoplaho! Hoplahop und hoplaho! Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! Heia, Reiter kehrt zurück, hopp, sein Pferdchen tänzelt! Wie er jetzt mit seinem Blick, bittet und schermenzelt! Mädel kümmert sich nicht drum, hüptt und summt ein Tänzchen Reiter, du warst gar zu dumm, doch ich bin kein Gänschen! DANILO Reiter guckt und Reiter lacht, willst du nicht, dann gute Nacht! Mädel, Mädel meiner Wahl, ich komm nicht ein zweites Mal! HANNA Dummer, dummer Reitersmans, der mich nicht verstehnn kann! Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! DANILO Kluger, kluger Reiter, reitet, reitet weiter! Kluger, kluger Reitersmann! HANNA, DANILO Hoplahop und hoplaho! Hoplahop und hoplaho! HANNA Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! (Danilo geht salutierend ab. Hanna will ihm nach, bleibt dann aber stehen.) HANNA Dummer, dummer Reiter, reitet, reitet weiter! Dummer, dummer Reitersmann! (Hanna geht ab, und Danilo kommt zurück. Cascada und St. Brioche treten auf, danach Kromow und Pritschitsch, zum Schluß Zeta und Bodganovitch.) ST. BRIOCHE Wir werden uns noch schlagen um die Witwe! CASCADA Ich bin dazu bereit. DANILO Aber meine Herren, um Weiber sollte man sich nich streiten… ZETA Meine Herren! Kommen Sie - kommen Sie punkt acht Uhr in unseren Pavillon, da wollen wir uns beraten. NJEGUS Wie Euzellenz befehlen! Punkt acht Uhr loco. ZETA Graf! Grat Danilowitsch! Worüber wird hier eigentlich gestritten? DANILO Exzellenz? Wie man sich verhält, wenn einem die Frau untreu wird. ZETA Darüber brauche ich, Gott sei Dank, nicht nachzudenken. DANILO, ST. BRIOCHE UND CASCADA Gott sei Dank! Nr. 9 Marsch-Septett (Danilo, Zeta, St. Brioche, Cascada, Kromow, Bogdanowitsch, Pritschitsch) DANILO Wie de Weiber… ALLE Wie die Weiber? DANILO Man behandelt? ALLE Hürt ihn an! DANILO Eine so, die andre anders, da gibt s keinen Feldzugsplan! ZETA Daß die Weiber… ALLE Daß die Weiber? ZETA Treu uns bleiben - ALLE Also wie? ZETA UND DANILO Das hat man noch nicht ergründet! Da gibt s keine Theorie! ALLE Da gibt s keine Theorie! DANILO Der einen macht man Komplimente… ALLE So und so und so und so! ZETA Und schmeichelt, streichell ohne Ende… ALLE So und so und so und so! ST. BRIOCHE Der andern muß man imponieren… ALLE So und so und so und so! CASCADA Man darf sie auch sogar sekieren… ALLE So und so und so und so! DANILO Die dritte, die will Zärtlichkeiten… ALLE So und so und so und so! ZETA Die vierte, die will zanken, streiten… ALLE So und so und so und so! CASCADA Die füntte, will nur tanzen, lachen… ALLE So und so und so und so! DANILO, ZETA, ST. BRIOCHE UND CASCADA Dann wollen sie auch and re Sachen! ALLE So und so und so und so! DANILO UND ZETA Ja, das Studium der Weiber ist schwer… ST. BRIOCHE, CASCADA, KROMOW, BOGDANOWITSCH, PRITSCHISCH Ach die Weiber, diese Weiber! DANILO UND ZETA Nimmt uns Männer vetteufelt auch her! Niemals kennt doch an Seele und Leib man das Weib - ALLE Weib, Weib, Weib, Weib! DANILO UND ZETA Mädchen zart, Gretchenart, blondes Haar… ST. BRIOCHE, CASCADA, KROMOW, BOGDANOWITSCH, PRITSCHISCH Ach die Weiber, diese Weiber! DANILO UND ZETA Mit dem treuesten Blauängleinpaar, ob sie schwarz oder rot oder blond sind gefärbt, s ist egal, man wird doch gegerbt. ALLE Weiber, Weiber, Weiber, Weiber, ja! Weiber, Weiber, Weiber, Weiber, ach! Ja, das Studium der Weiber ist schwer, nimmt uns Männer verteufelt auch her! Niemals kennt doch an Seele und Leib man das Weib - Weib, Weib, Weib, Weib! Mädchen zart, Gretchenart, blondes Haar, mit dem treuesten Blauäugleinpaar! Ob sie schwarz oder rot oder blond sind gefärbt, s ist egal, man wird doch gegerbt. DANILO UND ZETA Ja, das Studium der Weiber ist schwer, nimmt uns Männer verteufelt auch her. Niemals kennt doch an Seele und Leib man das Weib, Weib. Weib, Weib, Weib! DIE ANDEREN Weiber, Weiber, Weiber, Weiber, Weiber! (Alle ausser Danilo ab . Hanna tritt auf.) HANNA Graf Danilo! - Mein tapferer Reitersmann! Wenn Sie mich auch nicht lieben… DANILO Das is total ausgeschlossen! HANNA …dann werden Sie mir ehrlich raten, ob ich jenen Menschen heiraten soll, den ich immer schon haben wollte! DANILO Haben wollte…? Heiraten Sie doch was, wie, wo und womit Sie wollen! HANNA Sie sind ja eifersüchtig! DANILO Jawohl! Aber nicht auf Sie, auf alle Frauen, die mit Männern so herumtändeln… HANNA Acha, ja? Nr. 10 Spielszene und Tanzduett (Danilo kämpft mit sich, will sie ansprechen, wendet sich aber ab und geht in Richtung Pavillon.) HANNA So, wie die Dinge sich entwickeln, werde ich doch einen Pariser heiraten. DANILO Armes Vaterland! HANNA Aber bevor ich wieder heirate, möchte ich wenigstens einmal das wahre Nachtleben in dieser Stadt kennenlernen. Wo amüsiert man sich besten? DANILO Amüsieren kann man sich auf dem Ball der pontevedrinischen Gesandtschaft! HANNA Mir steht der Sinn nach anderen Vergnügen! DANILO Mir auch, aber die heimatlichen Tänze haben auch ihren Reiz… Madame… Un kolo, la danse de notre patrie. Allez! (Sie tanzen den Kolo.) HANNA Ach!… Sehen Sie, jetzt würde ich zu meinem Mann sagen lieber Da… DANILO …nilo? HANNA Go…bert. DANILO Scheußlicher Name! HANNA Deswegen bin ich nicht in Paris. Führ mich woanders hin! DANILO Er führt sie zu Maxim, dort ist er sehr intim … Dort tanzen nur die entzückendsten, zweifelhaftesten, verruchtesten Mädchen. Und würden Sie in den Saal Sala de Baile entráis alguna dirá Ay, una nueva Griseta! La música se convierte en un dulce vals juguetón, con la que uno con su ritmo de tres por all seiner Tugend vergißt. (Sie tanzen.) HANNA Bei dieser Musik könnte man das letzte Viertel auch noch vergessen… Das ist sehr gefährlich… (Beide tanzen summend ab. Valencienne und Camille treten auf.) VALENCIENNE Nein, nein, nein! CAMILLE Geben Sie mir wenigstens ein Andenken, Valencienne! VALENCIENNE Meinen Fächer? Nur diesem Satz muß ich noch fertig schreiben! Ich bin eine anständige… Frau… CAMILLE Jetzt hab ich es auch noch schriflich! Nr. 11 Duett und Romanze VALENCIENNE Mein Freund, Vernunft! CAMILLE Wie Sie mich quälen! VALENCIENNE Ich will s! Sie müssen sich vermählen! Sie müssen heute noch mit Hanna sprechen! CAMILLE Nun gut, ich tu s… doch wird das Herz mir brechen! VALENCIENNE Oh glauben Sie, es fällt mir schwer, auf Ihre Liebe zu verzichten, doch muß ich mich, so will s die Ehr , streng nach der guten Sitte richten! CAMILLE Soll ich für immer dich verlieren? VALENCIENNE Sie wollen mich doch nicht kompromittieren? CAMILLE Das will ich nicht! Das darf ich nicht! VALENCIENNE (drückt seinen Kopf an ihre Wange) So ist es recht, so hab ich dich lieb. CAMILLE Ich muß dich küssen! VALENCIENNE (wehrt ihn ab) Sie machen mich böse! CAMILLE Vergib! Vergib, mein Lieb! Wie eine Rosenknospe im Maienlicht erblüht, so ist in meinem Herzen die Liebe aufgeglüht! Das war ein selig Keimen, von dem ich nichts geahnt, ein wundersames Träumen, das mich ans Glück gemahnt! Und nun das Glück gekommen, soll s wieder, wieder fort? Das Maienlicht verglommen? Die Knospe, sie verdorrt? Ein jauchzend, jubelnd Singen in meiner Seele schallt Es wird dich mir erringen der Liebe Allgewalt. VALENCIENNE (streckt dir Arme nach ihm aus) O Camille! CAMILLE Valencienne! (will sie umarmen) VALENCIENNE Nein, sachte, sacht! Du hast mich um den Verstand gebracht! CAMILLE Zum Abschied, du Süße, einen letzten Kuß! VALENCIENNE Doch nicht hier! CAMILLE Sieh dort den kleinen Pavillon, er kann höchst diskret, verschwiegen sein! Oh dieser kleine Pavillon plaudert nicht ein Wörtohen aus… oh nein! Dunkel uns umfängt! Nimm, was Liebe uns schenkt! Komm in den kleinen Pavillon, komm zum süßen Rendezvous, oh du! VALENCIENNE Ich seh schon… ich werd hineingehen müssen! CAMILLE Komm in den kleinen Pavillon, laß zum letztenmal dich küssen, ach! VALENCIENNE Ist er verschwiegen? Mir wird ganz schwach! CAMILLE, VALENCIENNE Dunkel uns umfängt! Nimm, was Liebe uns schenkt! Dort in dem dunklen Pavillon strahlt uns hell der süßen Liebe Lohn! (Wie sie in den Pavillon verschwinden, kommt Njegus,der ihnen nachschauf. Kurz darauf Zeta.) NJEGUS Ah, die Baronin und Herr Rosillon zusammen im Pavillon…! ZETA Njegus! NJEGUS O weh, der Herr Baron! (stellt sich wie schützend vor die Tür.) ZETA Nun, Njegus… es ist schon acht Uhr loco, und der Graf is wieder nicht da! Also, öffnen Sie den Pavillon und drehen Sie das elektrische Licht auf! NJEGUS Exzellenz - Exzellenz - mit Verlaub… ZETA Was ist los? NJEGUS Exzellenz! Es geht nicht. Es ist wer drinnen Rosillon mit einer Dame! ZETA Einer verheirateten? Jetzt haben wir sie! Der Pavillon hat rückwärts noch eine Tür, sperren Sie die sofort ab! NJEGUS Sehr wohl! (begibt sich hinter den Pavillon) Erst diese Dame herauslassen, dann eine una (Danilo tritt auf.) DANILO Excellenz, acht Uhr loco. ZETA Ach, lieber Graf! Die Dame Rosillons ist entdeckt! DANILO Entdeckt? Wer ist sie? ZETA Ich werde durchs Schlüsselloch sehen! DANILO Exzellenz, das ist nicht sehr fein! ZETA Aber praktisch! (Während Zeta durchs Schlüsselloch schaut, erscheint Njegus hinten am Pavillon. Er winkt nach rechts. Hanna kommt und flüstert mit ihm. Beide verschwinden hinter dem Pavillon.) DANILO Nun? ZETA Das ist ja! Nein! Doch! Meine Frau! (Valencienne tritt rückwärts aus dem Pavillon und schleicht mit Njegus davon.) Aufgemacht! Aufgemacht! DANILO Ha! Ha! ZETA Ha! Ha! HANNA Wir fragen, was man von uns will! DANILO Ha! Hanna und Camille! ZETA War ich denn blind? Ich seh genau… DANILO Ha! Hanna und Camille! Mein ganzer Geist steht still. Jetzt wird die Sache etwas flau! ZETA Wo ist denn meine Frau? (Valencienne kommt harmlos von links, hinter ihr Njegus.) VALENCIENNE Du wünschest? ZETA Ich bin stumm und starr! VALENCIENNE Was ist gescheh n? So sprich doch klar! DANILO Ha! Hanna und Camille! CAMILLE (zu Danilo) So sei doch endlich still! ZETA Ich sah dort eine Dame kurz zuvor. Ich guckte schnell durchs Schlüsselloch… HANNA Das war gerade nicht sehr fein! DANILO Aber praktisch doch! ZETA Ich hört und traute meinen Ohren nicht… (zu Camille) Wie dieser Herr da ihr Liebe schwor! HANNA Die Dame, die war ich! DANILO (zu Hanna) Ha! Hanna! ZETA Ich hätt geschworen es wär meine Frau! HANNA Mein lieber Camille, gesteh n Sie s nur ein! VALENCIENNE Oh, dies zu hören, ist Rettung und Pein! CAMILLE Ach, dies zu sagen ist Rettung und Pein! DANILO Mich packt die Eifersucht, fast könnte ich schrei n! ZETA Ich kann s nicht glauben, oh nein, oh nein! NJEGUS Das arrangierte ich… ganz schlau und ganz fein! HANNA Und war der Baron so indiskret, zu lauschen und spähen beim Schlüsselloch, (zu Camille) so sagen Sie hier, was drinnen Sie mir gestanden, ich bitte, so sagen Sie s doch! (Valencienne erschrickt, blickt eifersüchtig auf Camille. Hanna wechselt einen Blick mit Valencienne, die auf sie zukommt, und spricht mit ihr.Valencienne lächtelt verstehend.) CAMILLE Ich… soll es sagen? DANILO (für sich) Und ich soll s ertragen? CAMILLE (zu Zeta) Nun, Exzellenz, da ich… nicht anders kann - was ich drin sagte - so hören Sie s an ZETA Jetzt bin ich doch neugierig, was er mir sagen wird. CAMILLE Wie eine Rosenknospe im Maienlicht erblüht, so ist in meinem Herzen die Liebe aufgeglüht! Das war ein selig Keimen, von dem ich nichts geahnt, ein wundersames Träumen, das mich… ans Glück gemahnt! Und nun das Glück gekommen, soll s wieder, wieder fort? Das Maienlicht verglommen? Die Knospe, sie verdorrt? Ein jauchzend, jubelnd Singen in meiner Seele schallt Es wird dich mir erringen der Liebe Allgewalt. HANNA Er glaubt ihm wirklich… Wort für Wort. Und sein Verdacht, er ist schon fort! Ah, lieber Graf, und du bleibst ganz kalt? Was wetten wir, du redest bald! VALENCIENNE Ich… fasse nicht ein einzig Wort! Ja, will er wirklich… von mir fort? Sein Liebeslied ist kaum noch verhallt, Er singt s vor ihr, wo mir allein dies Lied doch galt! Ist sie dahin so rasch, der Liebe Allgewalt? DANILO Ich… höre wie verschwommen, fasse auch nicht ein Wort! Sie hat sich schön benommen! Mir ist s nicht vergönnt, sie zu erringen! Doch mich läßt s nicht kalt! Will mich… zur Ruhe zwingen, ich gehe, und das bald! ZETA Der Wahn ist mir nun ganz benommen. Zu ihr ist er gewiß gekommen, ich glaub ihm Wort für Wort, s war meine Frau nicht dort! Wenn s meine Frau so triebe, macht ich ein Ende bald! Bei solchen Dingen bleib ein andrer kalt! (Die Gesellschaft tritt im Hintergrund auf.) HANNA Nun wissen Sie, meine Herrschaften, was sich im dunklen Pavillon zugetragen hat. Es gibt kein Zurück! (sieht Danilo verstohlen an) Jetzt kommt der Haupttrumpf! (zur Gesellschaft) Den Herrschaften hab ich was zu erzählen… CHOR Nun was? Nun was? HANNA (sieht Danilo durchbohrend an) Daß als Verlobte sich empfehlen Herr Rosillon. CAMILLE Was? Ich? VALENCIENNE O Gott! DANILO Ach, schön! ZETA Wie? Was? HANNA Und meine Wenigkeit! CHOR Ah, welche Neuigkeit! VALENCIENNE Bin starr! CAMILLE Bin starr! DANILO Bin starr! ZETA Bin starr! HANNA (auf Danilo blickend) Die Wirkung ist ganz wunderbar! CHOR Wir gratulieren! (Alle treten ein bißchen zurúck und scheinen die Verlobung besprechen.) DANILO Oh, ihr verfluchten Millionen! ZETA Oh, ihr verlor nen Millionen! CAMILLE (leise zu Hanna) Das geht doch nicht! Da muß ich protestier n! HANNA (leise zu Camille) Dann werden Sie die Baronin blamieren! ZETA (zu Hanna) Sie wollen wirklich? VALENCIENNE (zu Camille) Wirklich…, wollen Sie? HANNA Warum denn nicht? ZETA Ich bin dagegen, und der Graf… HANNA (zu Danilo) Sie euch? DANILO Oh nein! Warum soll ich… dagegen sein? Ich… gebe Ihnen meinen Segen! Ich meine nur… HANNA Was meinen Sie? DANILO Verlieb dich oft, verlob dich selten, heirate nie! Die Ehe ist für mich… privat, ich rede nur als Diplomat, wahrhaftig nur ein Standpunkt, der längst überwunden. Ein Zweibund sollte stets sie sein, doch bald stellt sich ein Dreibund ein, der zählt oft bloß nach schwachen Stunden! Vom europäischen Gleichgewicht, wenn einer sich verehelicht, von dem ist bald nichts mehr zu spüren. Der Grund liegt meistens nur darin Es gibt Madam zu sehr sich… hin, der Politik der offnen Türen! HANNA Das ist doch unverschämt! DANILO Jawohl, ich schiId re nicht zu stark, s ist etwas faul im Staate Dänemark! (Hanna eilt nach hinten und kommt während der folgenden Einleitung cancanierend mach vorn.) HANNA Ein flotter Ehestend soll s sein ganz nach… Pariser Art! Er sagt "Madame", ich sag "Monsieur"! Ganz nach Pariser Art! Wir lieben uns, wie sich s versteht, ganz nach Pariser Art! Wo jeder seine Wege geht Ganz nach Pariser Art! Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! Und sollt die Ehe anders sein, denn spring ich nicht hi… ,nein, oh nein, oh nein, nein, nein, nein. (Sie travesiert cancanierend mit Valencienne und wieder zurück. Die anderen fallen in den Tanz ein.) SYLVANE, OLGA, PRASKOWIA, CAMILLE, ZETA, BODGANOWITSCH, KROMOW, PRITSCHITSCH, DAMEN UND HERREN Des hat Rrrrasss so tral-la-la-la-la! Macht ihr Spaß so, tral-la-la-la-la! Und sollt die Ehe anders sein, denn springt sie nicht hinein! oh nein, oh… nein, HANNA UND VALENCIENNE La, la la, la! Nein. Dann spring ich/springt sie nicht hinein! Nein! VALENCIENNE Ja, dieser Ehestend wird flott! HANNA Ganz nach… Pariser Art! VALENCIENNE (mit Blick auf Camille) Der Mann zieht hü, die Frau zieht hoff! HANNA Ganz nach Pariser Art! VALENCIENNE Und keiner macht sich was daraus! HANNA Ganz nach Pariser Art! VALENCIENNE (zu Hanna) Sie seh n ganz scheidüngsfähig aus! HANNA Ganz nach Pariser Art! Valencienne und Hanna Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! SYLVANE, OLGA, PRASKOWIA, CAMILLE, ZETA, BODGANOWITSCH, KROMOW, PRITSCHITSCH, DAMEN UND HERREN Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! (Alle, außer Danilo, tanzen.) DANILO (für sich) In mir tobt es, in mir bebt es! In mir zuckt es, in mir juckt es! Halt s nicht aus! Es muß heraus! (Man hört auf zu tanzen.) Aber nicht so wutentbrannt! Aber nicht so wutentbrannt! Ruhig, ruhig mit Verstand! (zu Hanna) Zu der Vermählung, schöne Frau, gestatten Sie eine Erzählung. (Valencienne geht zu Camille. Alle ziehen sich ganz zurück, so daß Hanna und Danilo total exponiert sind.) HANNA Gewiß, des ist ja interessant! Seh n Sie mich… an, ich bin schon sehr gespannt! Also bitte! DANILO Also bitte! Es waren zwei Königskinder… ich glaube, sie hatten sich lieb. Sie konnten zusammen nicht kommen, wie dies einst ein Dichter beschrieb! Der Prinz, der blieb aber verschlossen, er hatte dafür seinen Grund. Das hat die Prinzessin verdrossen, warum er nicht auftat den Mund. Da hat nun die Dame Prinzessin getrieben ein grausames Spiel, sie gab ihre Hand einem and ren. und das war dem Prinzen zu viel. Du gnädige Dame Prinzessin, du tatest daran gar nicht recht, du bist auch nicht besser wie andere, vom schwachen, koketten Geschlecht! Doch glaubst du, dass ich mich drob kränke? Haha! Da täuschest du dich…! Im Traume ich nicht daran denke! - Das sagte der Prinz, und nicht ich! - Und weiter da sagte der Prinz noch (deutet auf Camille) Da nimm ihn, der sei dir vergönnt! Drauf ist er von dannen gegangen - und das tu ich auch…, Kompliment! (will ab) HANNA Wohin denn, Graf, wohin? DANILO Wohin ich…? Dort, wo ich… zu Hause bin! (mit beissender Ironie) Jetzt geh ich zu Maxim, dort bin ich sehr intim, ich duze alle Damen, ruf sie beim Kosenamen Lolo, Dodo, Jou-jou, Clo-clo, Margot, Frou-frou, sie lassen mich vergessen, was ich so bang empfand! (ab) HANNA Allein liebt er mich…, nur allein! Jetzt geht er in die Falle und… Das hat Rrrrass so, tral-la-la-la-la-la! Macht mir Spaß so, tral-la-la-la-la-la! usw. HANNA UND VALENCIENNE (tanzend) La, la la, la, la! SYLVANE, OLGA, PRASKOWIA, CAMILLE, ZETA, BOGDANOWITSCH, KROMOW, PRITSCHITSCH, DAMEN UND HERREN (tanzend) Das hat Rrrrasss, usw. Lehár,Franz/Die Lustige Witwe/III
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CHAPTER II UP CHAPTER IV CHAPTER III Marilla Cuthbert is Surprised Marilla came briskly forward as Matthew opened the door. But when her eyes fell of the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who s that?" she ejaculated. "Where is the boy?" "There wasn t any boy," said Matthew wretchedly. "There was only HER." He nodded at the child, remembering that he had never even asked her name. "No boy! But there MUST have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn t. She brought HER. I asked the station- master. And I had to bring her home. She couldn t be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don t want me!" she cried. "You don t want me because I m not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I m going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there s no need to cry so about it." "Yes, there IS need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "YOU would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn t want you because you weren t a boy. Oh, this is the most TRAGICAL thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla s grim expression. "Well, don t cry any more. We re not going to turn you out- of-doors to-night. You ll have to stay here until we investigate this affair. What s your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "CALL you Cordelia? Is that your name?" "No-o-o, it s not exactly my name, but I would love to be called Cordelia. It s such a perfectly elegant name." "I don t know what on earth you mean. If Cordelia isn t your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can t matter much to you what you call me if I m only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You ve no need to be ashamed of it." "Oh, I m not ashamed of it," explained Anne, "only I like Cordelia better. I ve always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it s spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes SUCH a difference. It LOOKS so much nicer. When you hear a name pronounced can t you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you ll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said DISTINCTLY that you wanted a girl about eleven years old. And the matron said she thought I would do. You don t know how delighted I was. I couldn t sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn t you tell me at the station that you didn t want me and leave me there? If I hadn t seen the White Way of Delight and the Lake of Shining Waters it wouldn t be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she s just referring to some conversation we had on the road," said Matthew hastily. "I m going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I ll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You re not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can t. I m in the depths of despair. Can you eat when you are in the depths of despair?" "I ve never been in the depths of despair, so I can t say," responded Marilla. "Weren t you? Well, did you ever try to IMAGINE you were in the depths of despair?" "No, I didn t." "Then I don t think you can understand what it s like. It s very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can t swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I ve often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I m going to eat them. I do hope you won t be offended because I can t eat. Everything is extremely nice, but still I cannot eat." "I guess she s tired," said Matthew, who hadn t spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They re fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that s one consolation." "Well, undress as quick as you can and go to bed. I ll come back in a few minutes for the candle. I daren t trust you to put it out yourself. You d likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low- turned posts. In the other corner was the aforesaid three- corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne s bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne s clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne s white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a GOOD night when you know it must be the very worst night I ve ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer s folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that s certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You SUPPOSE so! Don t you know it?" "Well now, she s a real nice little thing, Marilla. It s kind of a pity to send her back when she s so set on staying here." "Matthew Cuthbert, you don t mean to say you think we ought to keep her!" Marilla s astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she s a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It s nothing in her favour, either. I don t like children who have so much to say. I don t want an orphan girl and if I did she isn t the style I d pick out. There s something I don t understand about her. No, she s got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she d be company for you." "I m not suffering for company," said Marilla shortly. "And I m not going to keep her." "Well now, it s just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I m going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER II UP CHAPTER IV 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 36 (Tue)
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Juniper Tree and Other Tales Bt Bound?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm Beltz GmbH, Julius?Jacob GrimmWilhelm GrimmNikolaus Heidelbach? A Treasury of Stories from the Brothers Grimm (Treasuries) Kingfisher Books Ltd?Jacob GrimmWilhelm GrimmJenny Koralek?Robin Lawrie? Es war einmal Boje-Vlg., Erlangen?Jacob GrimmWilhelm Grimm The Fisherman and His Wife Bodley Head Children s Books?Jacob GrimmWilhelm GrimmKatrin Brandt?Margaret Hunt? Hansel and Gretel (Fairy Tale Picture Books) Bodley Head Children s Books?Jacob GrimmWilhelm GrimmCeline Leopold? Rumpelstiltskin (Fairy Tale Picture Books) Bodley Head Children s Books?Jacob GrimmWilhelm GrimmWilliam Stobbs? Die goldene Gans Boje-Vlg., Erlangen?Jacob GrimmWilhelm GrimmMartin Ursell? Grimms' Tales for Young and Old Orion Children s Books (an Imprint of The Orion Publishing Group Ltd )?Jacob GrimmWilhelm GrimmRalph Manheim? 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Miniausgabe Esslinger Verlag?Jacob GrimmWilhelm GrimmAnastassija Archipowa? Kinder- und Hausmaerchen der Brueder Grimm. 2 Baende Diederichs Eugen?Jacob GrimmWilhelm GrimmHeinz Roelleke? Rapunzel Gomer Press?Jacob GrimmWilhelm Grimm Elves and the Shoemaker Gomer Press?Jacob GrimmWilhelm Grimm Little Red Riding Hood (Easy to Read Folktales Seires) Scholastic Audio Cassette?Jacob GrimmWilhelm GrimmKaren Schmidt? Rumpelstiltskin Gomer Press?Jacob GrimmWilhelm GrimmM. Strange? Unbekannte Maerchen von Wilhelm und Jacob Grimm Diederichs Eugen?Jacob GrimmWilhelm GrimmHeinz. Roelleke? Grimm Maerchen. ( Ab 8 J.) Betz Annette?Jacob GrimmWilhelm GrimmMarlene. Reidel? Grimms Kinder- und Hausmaerchen. 4 Baende Diederichs Eugen?Jacob GrimmWilhelm Grimm The Musicians of Bremen Franklin Watts Ltd?Jacob GrimmWilhelm Grimm Hansel and Gretel Hamlyn young books?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen Diederichs Eugen?Jacob GrimmWilhelm GrimmHans-Joerg. Uther?Otto. Ubbelohde? Elves and the Shoemaker Bt Bound?Jacob Grimm Wolf and the Seven Little Kids Bt Bound?Jacob Grimm Frog Prince Bt Bound?Jacob W. Grimm? Die Alte im Wald Diesterweg Moritz?Jacob GrimmWilhelm GrimmSiegfried Buck?Gisela Degler-Rummel? Tischlein deck dich, Goldesel und Knueppel aus dem Sack Diesterweg Moritz?Jacob GrimmWilhelm GrimmGisela Buck? Der arme Muellerbursch und das Kaetzchen Diesterweg Moritz?Jacob GrimmWilhelm GrimmGisela Buck?Werner Maurer? Complete Grimm's Fairy Tales (Pantheon Fairy Tale Folklore Library) Tandem Library?Jacob Ludwig Carl Grimm?James Stern?Josef Scharl? Hansel and Gretel Tandem Library?Jacob Ludwig Carl Grimm?Jacob W. Grimm?Wilhelm Karl Grimm? Little Red Riding Hood Rebound by Sagebrush?Jacob Ludwig Carl Grimm?Wilhelm Karl Grimm?Jacob W. Grimm? Little Red Riding Hood Tandem Library?Jacob Ludwig Carl Grimm?Pau Estrada?Wilhelm Karl Grimm? Deutsche Maerchen. 265 Maerchen und Sagen. Droemer Knaur?Ludwig Bechstein?Jacob GrimmWilhelm Grimm Maerchen der Brueder Grimm W. Fischer, Remseck?Jacob GrimmWilhelm Grimm Meine schoensten Maerchen W. Fischer, Remseck?Jacob GrimmWilhelm GrimmLudwig Bechstein? German Popular Stories Scolar Press?Jacob GrimmWilhelm Grimm German Popular Stories Scolar Press?Jacob GrimmWilhelm Grimm Die schoensten Maerchen der Brueder Grimm W. Fischer, Remseck?Jacob GrimmGrimm Wilhelm? Maerchenbilderbuch Betz Annette?Jacob GrimmWilhelm GrimmMarlene Reidel? Deutsche Sagen. Goldmann Wilhelm GmbH?Jacob GrimmWilhelm Grimm Snow White Amer School Pub?Jacob GrimmTrina Schart Hyman?Wilhelm Grimm Sieben Maerchen Betz Annette?Jacob GrimmWilhelm GrimmMarlene Reidel? Das Wunderbare ist das Wahre. Herder Verlag GmbH?Jacob GrimmWilhelm GrimmMonika Christians? Hansel Gretel Random House Audiobooks?Jacob Grimm Das Wunderbare ist das Wahre. Maerchen zum Nachdenken Herder Verlag GmbH?Jacob GrimmWilhelm GrimmMonika. Christians? Irische Elfenmaerchen Herder Verlag GmbH?Jacob GrimmWilhelm. Grimm?Thomas Crofton. Croker?Rainer. Martini? Meine wunderbare Maerchenwelt. Die 20 schoensten Maerchen der Brueder Grimm Kerle Verlag?Jacob GrimmWilhelm GrimmBarbara Bedrischka-Boes? Schneewittchen Kerle Verlag?Jacob GrimmWilhelm GrimmAnnegret Ebert? Die zertanzten Schuhe Kerle Verlag?Jacob GrimmWilhelm GrimmJane Ray? Hansel and Gretel Oxford Univ Pr (T)?Jacob GrimmWilhelm Grimm Die drei hungrigen Ziegen. Mit lustigen Aufklapp- Tricks Betz Annette?Jacob GrimmWilhelm GrimmDavid Pace? Kinder- und Hausmaerchen. Heyne Verlag?Jacob GrimmWilhelm GrimmMax. Slevogt? Deutsche Sagen. Heyne Verlag?Jacob GrimmWilhelm Grimm The Golden Goose Harpercollins?Dennis McDermott?Jacob GrimmWilhelm Grimm Die Brueder Grimm in ihren Selbstbiographien. Heyne Verlag?Jacob GrimmWilhelm Grimm Lucky Hans Methuen young books?Jacob GrimmWilhelm GrimmM. Greaves? Musicians of Bremen Methuen young books?Jacob GrimmWilhelm GrimmM. Greaves? Hansel and Gretel (A Magnet Book) Methuen?Wilhelm GrimmJacob GrimmA. Browne? Grimms Maerchen. Heyne Verlag?Jacob GrimmWilhelm Grimm Hansel and Gretel (Easy to Read Colour) Award Publications Ltd?Jacob GrimmWilhelm Grimm Singing Soaring Lark Methuen?Jacob GrimmWilhelm GrimmR. Seelig? Rumpelstiltskin Heinemann Young Books?Jacob GrimmWilhelm Grimm The Frog Prince Methuen young books?Jacob GrimmWilhelm Grimm Hansel and Gretel Methuen young books?Jacob GrimmWilhelm GrimmBrothers Grimm?Paul Galdone? The Elves and the Shoemaker Heinemann Young Books?Jacob GrimmWilhelm Grimm The Brave Little Tailor Methuen young books?Jacob GrimmWilhelm Grimm Hansel and Gretel (Read Easy) Award Publications Ltd?Jacob GrimmWilhelm GrimmNan Pollard? The Fisherman and His Wife William Morrow & Co?Jacob GrimmWilhelm GrimmKarl Ludwig?Elizabeth Shub?Monika Laimgruber? Brave Little Tailor Award Publications Ltd?Jacob GrimmWilhelm GrimmD. Tingle? Hansel and Gretel Price Stern Sloan?Jacob GrimmWilhelm Grimm Der Frieder und das Katherlieschen Insel Verlag?Jacob GrimmWilhelm GrimmErna de Vries? Der gestiefelte Kater Insel Verlag?Jacob GrimmWilhelm GrimmNicola Bayley? The Wolf and the Seven Little Kids (Stories from the Brothers Grimm) Award Publications Ltd?Jacob GrimmWilhelm GrimmMartin Ursell? The Golden Goose (Stories from the Brothers Grimm) Award Publications Ltd?Jacob GrimmWilhelm GrimmMartin Ursell? The Sleeping Beauty Harpercollins?Jacob Grimm Hansel and Gretel (Jan Pienkowski Fairy Tale Library) Ty Crowell Co?Jacob GrimmWilhelm GrimmJan Pienkowski?David Walser? The Sleeping Beauty (Fairy Tale Library) Ty Crowell Co?Jacob GrimmWilhelm GrimmDavid Walser?Jan Pienkowski? Grimm's Fairy Tales Caedmon Audio Cassette?Jacob GrimmWilhelm Grimm Hansel and Gretel (Read Along with Me) Award Publications Ltd?Jacob GrimmWilhelm GrimmSuzy-Jane Tanner? Snow White and Rose Red Everyman Ltd?Jacob GrimmWilhelm Grimm Kinder malen fuer Kinder. Insel- Bilderbuch zu Gunsten der Aktion Sorgenkind Insel Verlag?Wilhelm GrimmJacob Grimm The Bremen Town Musicians Julia Macrae?Jacob GrimmWilhelm GrimmJ. Domanska? Hans im Glueck. Ein Maerchen. Insel Verlag?Jacob GrimmWilhelm GrimmJens Witt?Maria Anna Witt? Die drei kleinen Schweinchen. Mit lustigen Aufklapp- Tricks Betz Annette?Jacob GrimmWilhelm GrimmDavid Pace? Von Hexen, Feen und allerlei Zauberei Betz Annette?Jacob GrimmWilhelm GrimmFriedl. Hofbauer?Christa Unzner? Snow White and the Seven Dwarfs Putnam Pub Group Library?Jacob GrimmWilhelm GrimmWanda Gag? Teutonic Mythology Dover Publications Inc.?Jacob GrimmJ. Stallybrass? Teutonic Mythology Dover Publications Inc.?Jacob GrimmJ. Stallybrass? Teutonic Mythology Dover Publications Inc.?Jacob GrimmJ. Stallybrass? Teutonic Mythology Dover Publications Inc.?Jacob GrimmJ. Stallybrass? Von Schelmen und Glueckskindern Betz Annette?Jacob GrimmWilhelm GrimmFriedl. Hofbauer?Christa. Unzner? Kinder- und Hausmaerchen. Gesammelt durch die Brueder Grimm. Vollstaendige Ausgabe Insel Verlag?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen. (IT 112/113/114). Insel Verlag?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen I. Insel Verlag?Jacob GrimmWilhelm Grimm Tales (Ward Lock Educational Storyworld) Ward Lock Educational Co Ltd?Jacob GrimmWilhelm GrimmGeoffrey Summerfield?Ulla Dolt? Kinder- und Hausmaerchen II. Insel Verlag?Jacob GrimmWilhelm Grimm Stories from Grimm (Take Part) Ward Lock Educational Co Ltd?Jacob GrimmWilhelm GrimmSheila Lane?Marion Kemp? The Elves and the Shoemaker (Take Part Tales for Two) Ward Lock Educational Co Ltd?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen III. Insel Verlag?Jacob GrimmGrimm. Wilhelm? Rapunzel Floris Books?Jacob GrimmWilhelm GrimmA. Arkhipova?Anastasiya Archipova? Deutsche Sagen. Insel Verlag?Jacob GrimmWilhelm Grimm Dornroeschen. Mit lustigen Aufklapptricks Betz Annette?Jacob GrimmWilhelm GrimmDavid Pace? Fairy Tales Routledge,an imprint of Taylor & Francis Books Ltd?Jacob GrimmWilhelm GrimmM. Hunt? Rotkaeppchen. Mit lustigen Aufklapp- Tricks Betz Annette?Jacob GrimmWilhelm GrimmDavid Pace? Aschenputtel. Mit lustigen Aufklapp- Tricks Betz Annette?Jacob GrimmWilhelm GrimmDavid Pace? Tiermaerchen Betz Annette?Jacob GrimmWilhelm GrimmFriedl Hofbauer?Christa. Unzner? Little Red Riding Hood (Green Tiger Special Classics) Childrens Pr?Jacob GrimmWilhelm GrimmCooper Edens
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Batterie Toshiba PA5013U-1BRS La gamme Envy de HP se positionne sur un créneau assez haut de gamme et l on attend donc beaucoup de cette version 15 pouces. Après un Envy 13 très convaincant, son grand frère aux mensurations généreuses saura-t-il, lui aussi, nous séduire ? Avec le Envy 15, HP transpose le design soigné et réussi du Envy 13 dans un format un peu plus volumineux. Nous sommes devant un PC portable équipé d un écran tactile de 15 pouces et très bien équipé côté hardware (processeur Intel Core i7, 8 Go de RAM, 128 Go de SSD et 1 To de HDD). Les prix débutent à partir de 1049 €. Ce PC portable de HP fait partie de la gamme Envy et l on s attend donc à un design classieux et à un niveau de finition exemplaire. C est clairement le cas ici, la machine étant globalement irréprochable sur ce point. Le châssis entièrement en aluminium retient très peu de traces de doigts, la charnière semble très solide et la touche de métal à l arrière apporte un surplus de luxe. Lorsque l on ouvre la machine, on découvre une large surface dédiée au clavier, qui inclut un pavé numérique. Les touches sont bien espacées, la frappe est assez précise malgré une course assez courte. En revanche la taille réduite de la touche "Entrée" entraîne pas mal de fautes de frappe. Le touchpad, entouré d un liseré argenté, est de bonne taille et offre une glisse précise. Il sonne en revanche un peu creux lorsque l on tapote dessus (pour le double clic, notamment), tandis que le clic droit a parfois du mal à s enclencher. Côté connectique, c est du classique et efficace 3 ports USB 3, 1 port USB Type-C, un lecteur de carte SD, une sortie HDMI et une prise jack. L ensemble, sur les côtés gauche et droit, est très accessible. Le HP Envy 15 chauffe peu lors d un stress-test, on relève un point chaud de 47°C à l avant dans la partie inférieure gauche de l écran, et de seulement 40,1°C à sous le châssis. Ces bons chiffres s accompagnent d un souffle réduit, qui ne dépasse pas les 39 dB lorsque l on fait tourner le benchmark Unigine Heaven pendant 1 heure. Ce HP Envy 15 profite d une dalle tactile brillante IPS de 15,6 pouces, affichant une définition Full HD (1920 x 1080 px). Tout d abord, petit bémol sur le choix d une dalle tactile, très peu utile sur du 15 pouces et qui empêche du coup l emploi d une dalle mate, bien plus lisible . Batterie Toshiba PA3729U-1BRS http //www.laptopsbatterie.com/toshiba-pa3729u-1brs.html . Excepté cette remarque, il faut avouer que cet écran est de très bonne qualité et bien lumineux (305 cd/m²). Son taux de contraste (860 1) est assez bon, mais pas non plus transcendant. La colorimétrie est également bonne, sans être exceptionnelle. Le Delta E (écart entre les couleurs réelles et les couleurs affichées, considéré comme très bon en dessous de 3) monte à 5,3 et la température des couleurs est de 6230 K, soit un chiffre assez proche de la norme à 6500 K. Rien à signaler concernant la courbe gamma, stable, signe de noirs profonds et de blancs bien définis. La configuration reçue en test comprend un processeur Intel Core i7-6560U, 8 Go de mémoire vive, un SSD de 128 Go et un disque dur de 1 To. Le HP Envy 15 est équipé d un processeur basse consommation Intel Core i7-6560U. Il s agit d un CPU gravé en 14 nm et doté de deux cœurs, pour des fréquences variant de 2,2 à 3,2 GHz. Notre indice de puissance, basé sur une série de benchmarks, est plutôt bon et affiche un score extrêmement proche de celui obtenu par un Core i7-6500U, et pas très éloigné de celui d un Core i5-6300HQ. Vous serez donc à l aise dans de nombreuses tâches (bureautique avancée, montage vidéo léger, retouche photo, surf sur le web, vidéo...). Ici, c est la polyvalence qui prime. C est un iGPU Intel Iris 540 qui gère la partie graphique du HP Envy 15 et il ne faut donc pas s attendre à des performances incroyables dans les jeux. Notre indice de puissance est ainsi à peine plus élevé que celui d un Intel HD Graphics 520. Batterie Toshiba PA5013U-1BRS http //www.laptopsbatterie.com/toshiba-pa5013u-1brs.html . En pratique, n espérez pas lancer The Witcher 3 en mode graphique Ultra. Il faudra vous contenter de quelques titres peu gourmands (quelques MOBA, des jeux en pixel-art) ou assez anciens. Avec un poids de 2,13 kg et une épaisseur de 1,79 cm, on ne peut pas dire que le Envy 15 est un modèle de légèreté de compacité. Sur ce point, il fait moins bien que le Dell XPS 15 (1,98 kg) ou que le MSI GS60 (1,98 kg). Notons que, ici, la dalle tactile a tendance à alourdir la machine. L autonomie est bonne pour un 15 pouces. Notre test de lecture sous Netflix (luminosité à 200 cd/m², sous Chrome, écouteurs branchés) a tourné pendant 5h07. Un chiffre très bon par rapport à la concurrence du même format le MSI GS60 tient seulement 1h51, le Dell XPS 15 3h40, et le Lenovo Ideapad Y700 4h23. Il arrive donc largement en tête et promet environ 7 heures d usage en bureautique. La sortie casque du HP Envy 15 est d excellente qualité la distorsion est très faible (0,006 %) et la puissance de sortie est élevée (130 mVrms). L ensemble du spectre sonore est très bien restitué. Batterie Toshiba PA5076U-1BRS http //www.laptopsbatterie.com/toshiba-pa5076u-1brs.html . Sans grande surprise, les haut-parleurs sont beaucoup moins convaincants (graphique ci-dessus). À l oreille, la puissance est correcte, mais les basses et les aigus brillent par leur absence. Les médiums sont bien présents, ainsi qu un peu de hauts-médiums. Seule la voix passe correctement.